Winning essay of the American Society for Aesthetics' inaugural Peter Kivy Prize. Extends Kivy's notion of sonic picturing through engagement with recent work in philosophy of perception. Argues that sonic pictures are more widespread and more aesthetically and artistically important than even Kivy envisioned. Topics discussed include: the nature of sonic pictures; the nature of sounds; what we can (and more importantly, cannot) conclude from musical listening; sonic pictures in film; beatboxing as an art of sonic picturing; and cover songs (...) as sonic pictures. To be published in the Journal of Aesthetics and Art Criticism. (shrink)

The view that phenomenally conscious robots are on the horizon often rests on a certain philosophical view about consciousness, one we call “nomological behaviorism.” The view entails that, as a matter of nomological necessity, if a robot had exactly the same patterns of dispositions to peripheral behavior as a phenomenally conscious being, then the robot would be phenomenally conscious; indeed it would have all and only the states of phenomenal consciousness that the phenomenally conscious being in question has. We experimentally (...) investigate whether the folk think that certain (hypothetical) robots made of silicon and steel would have the same conscious states as certain familiar biological beings with the same patterns of dispositions to peripheral behavior as the robots. Our findings provide evidence that the folk largely reject the view that silicon-based robots would have the sensations that they, the folk, attribute to the biological beings in question. (shrink)

Nelson Goodman's distinction between autographic and allographic arts is appealing, we suggest, because it promises to resolve several prima facie puzzles. We consider and rebut a recent argument that alleges that digital images explode the autographic/allographic distinction. Regardless, there is another familiar problem with the distinction, especially as Goodman formulates it: it seems to entirely ignore an important sense in which all artworks are historical. We note in reply that some artworks can be considered both as historical products and as (...) formal structures. Talk about such works is ambiguous between the two conceptions. This allows us to recover Goodman's distinction: art forms that are ambiguous in this way are allographic. With that formulation settled, we argue that digital images are allographic. We conclude by considering the objection that digital photographs, unlike other digital images, would count as autographic by our criterion; we reply that this points to the vexed nature of photography rather than any problem with the distinction. (shrink)

The primary concern of our 2014 paper was not notation but the autographic/allographic distinction, not representations as such but works of art. As we see it, Zeimbekis's considerations do not ultimately undermine the position we advanced in 2014— but they do challenge an element of Goodman's own theory of notation that derives from his requirement of recoverability. That requirement can be abandoned without losing the explanatory power of the autographic/allographic distinction as we have refined it.

Fictionalist approaches to ontology have been an accepted part of philosophical methodology for some time now. On a fictionalist view, engaging in discourse that involves apparent reference to a realm of problematic entities is best viewed as engaging in a pretense. Although in reality, the problematic entities do not exist, according to the pretense we engage in when using the discourse, they do exist. In the vocabulary of Burgess and Rosen (1997, p. 6), a nominalist construal of a given discourse (...) is revolutionary just in case it involves a “reconstruction or revision” of the original discourse. Revolutionary approaches are therefore prescriptive. In contrast, a nominalist construal of a given discourse is hermeneutic just in case it is a nominalist construal of a discourse that is put forth as a hypothesis about how the discourse is in fact used; that is, hermeneutic approaches are descriptive. I will adopt Burgess and Rosen’s terminology to describe the two different spirits in which a fictionalist hypothesis in ontology might be advanced. Revolutionary fictionalism would involve admitting that while the problematic discourse does in fact involve literal reference to nonexistent entities, we ought to use the discourse in such a way that the reference is simply within the pretense. The hermeneutic fictionalist, in contrast, reads fictionalism into our actual use of the problematic discourse. According to her, normal use of the problematic discourse involves a pretense. According to the pretense, and only according to the pretense, there exist the objects to which the discourse would commit its users, were no pretense involved. My purpose in this paper is to argue that hermeneutic fictionalism is not a viable strategy in ontology. My argument proceeds in two steps. First, I discuss in detail several problematic consequences of any interesting application of hermeneutic fictionalism. Of course, if there is good evidence that hermeneutic fictionalism is correct in some cases, then some of these drastic consequences would have to be accepted.. (shrink)

This essay is my review of Philip Booth’s ...and the Pursuit of Happiness: Wellbeing and the Role of Government. The book is an anthology of original articles by eminent researchers in modern happiness economics, such as: Booth himself; Paul Omerod; David Sacks, Betsey Stephenson, and Justin Wolfers; Christopher Snowden; J. R. Shackleton; Christian Bjornskov; Peter Boettke and Christopher Coyne; and Pedro Schwartz. I conclude by offering several criticisms of the work.

Despite increased philosophical and psychological work on practical wisdom, contemporary interdisciplinary wisdom research provides few specifics about how to develop wisdom (Kristjánsson 2022). This lack of practically useful guidance is due in part to the difficulty of determining how to combine the tools of philosophy and psychology to develop a plausible account of wisdom as a prescriptive ideal. Modeling wisdom on more ordinary forms of expertise is promising, but skill models of wisdom (Annas 2011; De Caro et al. 2018; Swartwood (...) 2013b; Tsai 2023) have been challenged on the grounds that there are important differences between wisdom and expert skills (Hacker-Wright 2015, p. 986; Kristjánsson 2015, pp. 98, 101; Stichter 2015, 2016, 2018). I’ll argue that we can both vindicate the promise of skill models of wisdom and begin to specify practically useful strategies for wisdom development by attending to a reflective process that I call Case-Based Critical Reflection. I begin by demonstrating the process as it arose in a notable example from everyday life, illustrating how the process can be usefully applied to a case study of interest to wisdom scientists, and explaining its philosophical pedigree. After isolating the key features that make it relevant to wisdom development, I argue that attending to the importance of Critical Reflection can defuse prominent objections to skill models of wisdom. (shrink)

I argue that advocates of moderate epistemic idealization need some standards against which they can determine whether a particular individual P has a responsibility to acquire some specific piece of information α. Such a specification is necessary for the purpose of determining whether a reason R, the recognition of which depends on accounting for α, can legitimately be ascribed to P. To this end, I propose an initial sketch of a criterion that may be helpful in illuminating the conditions in (...) which P might be said to have a responsibility to take α into account when searching for reasons to act or believe. I worry that reason ascriptions that are based on information acquisition expectations which are not captured by this criterion may be open to charges of authoritarianism, especially when such a reason ascription prompts one person to demand that another act in a way that is responsive to the ascribed reason. (shrink)

Is behavioral integration (i.e., which occurs when a subjects assertion that p matches her non-verbal behavior) a necessary feature of belief in folk psychology? Our data from nearly 6,000 people across twenty-six samples, spanning twenty-two countries suggests that it is not. Given the surprising cross-cultural robustness of our findings, we suggest that the types of evidence for the ascription of a belief are, at least in some circumstances, lexicographically ordered: assertions are first taken into account, and when an agent sincerely (...) asserts that p, non-linguistic behavioral evidence is disregarded. In light of this, we take ourselves to have discovered a universal principle governing the ascription of beliefs in folk psychology. (shrink)

This article examines whether people share the Gettier intuition (viz. that someone who has a true justified belief that p may nonetheless fail to know that p) in 24 sites, located in 23 countries (counting Hong-Kong as a distinct country) and across 17 languages. We also consider the possible influence of gender and personality on this intuition with a very large sample size. Finally, we examine whether the Gettier intuition varies across people as a function of their disposition to engage (...) in “reflective” thinking. (shrink)

Jerry Fodor wrote the following assessment of Danto’s importance in 1993: “Danto has done something I’ve been very much wanting to do: namely, reconsider some hard problems in aesthetics in the light of the past 20 years or so of philosophical work on intentionality and representation” (Fodor 1993, p. 41). Fodor is absolutely right: some of Danto’s work could be thought of as the application of some influential ideas about perception that Fodor also shared. The problem is that these ideas (...) have turned out to be false. Both Danto and Fodor are modularist: they both think that perception is an encapsulated process that is in no way influenced by any kind of non-perceptual processing (see, e.g., Fodor 1983, Pylyshyn 1984). Many of Danto’s famous and influential arguments rely very directly on this modularist assumption. There is now, however, a wealth of evidence against modularism of the strong kind held to by Danto and Fodor. We now know that perceptual experience is not determined entirely by the retinal input: our visual processing is influenced at various point in a top-down manner. What we know and what kinds of visual stimuli we have encountered previously deeply influence how the retinal input is processed. The empirical literature on this is vast and conclusive (for an overview, see Teufel and Nanay 2017 but see also the references in the last section of this paper). What does this mean for Danto’s views on art and perception? While one of Danto’s premises may turn out to be false, the history and examples he gave are valuable and bear repeating. Even more importantly, Danto’s aesthetics can in part be separated out from his modularism, leading us to draw slightly different but arguably even more interesting conclusions from famous thought experiments such as the Gallery of Indiscernibles. (shrink)

Rationalization in the sense of biased self-justification is very familiar. It's not cheating because everyone else is doing it too. I didn't report the abuse because it wasn't my place. I understated my income this year because I paid too much in tax last year. I'm only a social smoker, so I won't get cancer. The mental mechanisms subserving rationalization have been studied closely by psychologists. However, when viewed against the backdrop of philosophical accounts of the regulative role of truth (...) in doxastic deliberation , rationalization can look very puzzling. Almost all contemporary philosophers endorse a version of the thesis of deliberative exclusivity—a thinker cannot in full consciousness decide whether to believe that p in a way that issues directly in forming a belief by adducing anything other than considerations that he or she regards as relevant to the truth of p. But, as I argue, rationalization involves the weighing of considerations that the thinker kn.. (shrink)

A response to critical commentaries. Crookston begins her commentary by noting that my book would have been better with answers to “the following three questions: (1) Why is the harm principle the right principle upon which to base a theory of toleration? (2) How is Cohen thinking of the concept of volenti? (p. x ) Is interference (i.e., the abandonment of toleration) ever morally required by the harm principle?” (p. x ). She is right, and I address these questions below (...) in Sections 2, 3, and 4. That is the bulk of this essay. I then turn to Kelley's issues in Sections 6, 7, and 8; these have to do with “the link between toleration and relativism,” the way I distinguish “the concepts of toleration and endurance,” and a “question about moral toleration” (p. x ). Despite much agreement, there are points of contention and I try to make my position clearer in response . (shrink)

As schools publicly modernize in response to societal changes, additional teaching and learning methods are developed, observed, and used since learners have different learning styles that make it easier for them to grasp and retain the material. During the COVID-19 pandemic, teachers require different media to keep the classroom involved while presenting the lesson materials online, one of which is video tutorials. The purpose of this study was to analyze the extent of contextual effects of video tutorials used in general (...) chemistry, determine the relationship between video tutorial effectiveness and the respondents' academic performance, and analyze the significant difference between the four indicators of contextual effects of video tutorials and the respondents' profile. A descriptive-correlational quantitative research design was used in this study. The participants in this study were 144 Grade 12 STEM students from a private school in Sultan Kudarat, Philippines, who took their general chemistry course during the pandemic. The respondents were given a survey questionnaire created with Google Forms. The students agreed with all the assertions and rated them as effective in terms of their perceptions of general chemistry, implying that video tutorials are useful in teaching the subject. With p-values of .023, .046, and .010, respectively, the findings revealed a significant relationship between the overall mean of students' perceptions of the subject of General Chemistry, the concept and application of chemical knowledge and understanding, and their influence on students' academic performance. In terms of their perception, ideas, and application of chemical knowledge and comprehension, the results demonstrated that there is no statistically significant difference between the general mean of male and female students' responses. This basically means that by using video lectures, STEM students of all genders appreciate and understand General Chemistry as a subject. -/- . (shrink)

Background: Individuals with psychopathic traits demonstrate an attenuated emotional response to aversive stimuli. However, recent evidence suggests heterogeneity in emotional reactivity among individuals with psychopathic or callous-unemotional (CU) traits, the emotional detachment dimension of psychopathy. We hypothesize that primary variants of psychopathy will respond with blunted affect to negatively valenced stimuli, whereas individuals marked with histories of childhood trauma/maltreatment exposure, known as secondary variants, will display heightened emotional reactivity. To test this hypothesis, the present study examined fear-potentiated startle between psychopathy (...) variants while viewing aversive, pleasant, and neutral scenes. Method: 238 incarcerated adolescent (M age = 16.8, SD = 1.11 years) boys completed a picture-startle paradigm and self-report questionnaires assessing CU traits, antisocial-aggressive behavior, and maltreatment. Results: Latent profile analyses identified four classes; primary variants (high CU traits, high aggression, low maltreatment; n = 46), secondary variants (high CU traits, high aggression, high maltreatment; n = 42), and two nonpsychopathic groups differentiated on maltreatment experience (n = 148). Findings from an ANOVA comparing identified groups on startle amplitude difference scores (i.e., aversive-neutral) suggested a main effect for group, F(3,196)=8.91, p<.001, η2 = .12. Primary variants of juvenile psychopathy displayed reduced startle potentiation to aversive images (threat and victim scenes), whereas secondary variants distinguished by high levels of childhood maltreatment did not. Conclusions: Findings add to a rapidly growing body of literature supporting the possibility of multiple developmental pathways to psychopathy (i.e., equifinality), and extend it by finding support for divergent potential biomarkers between primary and secondary psychopathy variants. (shrink)

In view of the current progress of what has been named the ‘visual turn’ or the ‘pictorial turn’,1 it is exciting to witness Sam Rose’s return to early aesthetic formalist-modernism, which was so passionate about the medium, its appearance, and visuality. Rose’s project shares a recent inclination to think anew the advent of aesthetic modernism.2 It is founded on the presumption that visual art ought to be – and actually has always been – theoretically subsumed under one meta-project. (...) This meta-project does not necessarily have a clear telos, but it does have a history. In support of this view, Rose appeals to Stanley Cavell’s claim that ‘only masters of a game, perfect slaves to that project, are in a position to establish conventions which better serve its essence. This is why deep revolutionary changes can result from attempts to conserve a project, to take it back to its idea, keep it in touch with its history’ (p. 155). According to Rose’s post-formalist view, the idea of art’s meta-project is the idea of form. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

The main contention of this paper is that, just as there is something it is like to smell a rose, taste chocolate, and hear a siren, there is something it is like to perform an action. In other words, I will argue that we ought to recognize, alongside these other familiar forms of phenomenology, a distinctive phenomenology of agency. My claim is not simply that there is some subjective experience that attaches to the performance of actions. No one disputes (...) that action is typically accompanied by a range of kinaesthetic and visual experiences, and often preceded by conscious thoughts about what to do. The position I wish to defend, rather, is that there is a proprietary phenomenology or subjective character associated with action that “goes beyond” (Horgan et al. 2003, p. 323) these familiar types of sensory and cognitive experience (for other treatments of this topic, see Horgan 2007; Bayne and Levy 2006; Bayne 2008; Pacherie 2008; Kriegel 2015; Shepherd 2017). (shrink)

Epistemic contextualism (‘EC’), the view that the truth-values of knowledge attributions may vary with the context of ascription, has a variety of different linguistic implementations. On one of the implementations most popular in the early days of EC, the predicate ‘knows p’ functions semantically similarly to gradable adjectives such as ‘flat’, ‘tall’, or ‘empty’. In recent work Jason Stanley and John Hawthorne have presented powerful arguments against such implementations of EC. In this article I briefly systematize the contextualist analogy (...) to gradable adjectives, present Stanley’s argument against the analogy, and offer a contextualist response that abandons the analogy in favor of modeling the semantics of ‘knows p’ along the lines of quantifier expressions. I then present Hawthorne’s objection to the views presented, and finally conclude by outlining an argument to the effect that ‘knows p’ is an automatic indexical and as such to be expected to function differently from many other indexicals that the term has been compared to in the literature. I finally point out that no analogy should be expected to be perfect, and that no harm is done by postulating some unique behavior of ‘knows p’. (shrink)

Nelson Goodman notoriously distinguished between autographic works, whose instances should be identified by taking history of production into account, and allographic works, whose instances can be identified independently of history of production. Scholars such as Jerrold Levinson, Flint Schier, and Gregory Currie have criticized Goodman’s autographic/allographic distinction arguing that all works are such that their instances should be identified by taking history of production into account. I will address this objection by exploiting David Davies’ distinction between e-instances and p-instances of (...) a work, thereby restating the autographic/allographic distinction. Then, I will show that this way of restating this distinction leads us to effective accounts of relevant related phenomena such as forgery, plagiarism, and digital technologies. Finally, I will show the theoretical advantages of my account of the autographic/allographic distinction in comparison with an alternative account recently proposed by Jason D’Cruz and P.D. Magnus. (shrink)

Some of Dave Chappelle’s uses of storytelling about seemingly mundane events, like his experiences with his “white friend Chip” and the police, are examples of what W.E.B. Du Bois calls “Positive Propaganda.” This is in contrast to “Demagoguery,” the sort of propaganda described by Jason Stanley that obstructs empathic recognition of others, and undermines reasonable debate among citizens regarding policies that matter: the justice system, welfare, inequality, and race, for example. Some of Chappelle’s humor, especially in his most recent (...) Netflix specials, but also in his earlier standup performances and his series The Chappelle Show, is akin to art that appeals to emotion in the ways suggested by Du Bois in “Criteria of Negro Art” (1926). Beauty is essential to art, but, “I do not care a damn for any art that is not used for propaganda. But I do care when propaganda is confined to one side while the other is stripped and silent” (p. 22). The “one side” is that which appears to extoll American ideals, but in reality undermines them, perpetuating the subordinate status of “the other”--black citizens. Replace “beauty” with “humor” or “funny”, and we see striking parallels between Chappelle’s socio-political performances and Du Bois’ call for positive propaganda, each of which constitute “civic rhetoric” broadly construed. We no longer live in Du Bois’ America of explicit denial of rights. In many ways our situation is worse, as the mechanisms of exclusion are implicit, difficult to dislodge, because they are invisible. Chappelles’ humor draws attention to subtle undermining-propaganda in our liberal democracy, transforming it through his counter-propaganda into the spectacle that it should be; ubiquitous democracy-denying propaganda should be as obvious to whites as it is to minorities. In his words, we should all see that “that shit is fucking incredible” (Killin’ Them Softly). (shrink)

MANEJO NA AVICULTURA: POSTURA, ILUMINAÇÃO E INCUBAÇÃO DOS OVOS -/- MANAGEMENT IN POULTRY: POSTURE, ILUMINATION AND INCUBATION OF THE EGGS -/- 1. INTRODUÇÃO A produção de ovos no Brasil está próxima de 45 bilhões de unidades por ano, mantendo um desenvolvimento constante em todos os seus aspectos: genética, instalações, patologia, alimentação, etc. Ao longo do presente trabalho, pretende-se estabelecer os conceitos que estão ligados à produção de ovos, distribuição de ovoprodutos e refletir as ideias básicas sobre os programas de iluminação (...) nas galinhas. Num segundo bloco serão analisados aspectos relacionados com a incubação dos ovos, como a higiene e o manejo, o tratamento do ovo e, por último, a caracterização dos fatores envolvidos no processo da incubação. 2. PREPARAÇÃO/POSTURA DOS OVOS A galinha começa a ovulação normalmente a partir das 20-22 semanas de vida, se bem que mediante práticas de manejo (alimentação, programas de luz, etc.) pode-se adiantar ou atrasar o momento do início das primeiras ovulações. A genética tem, logicamente, um papel importante na idade em que se alcança a puberdade das aves. Mencionamos ritmos de postura por ser a oviposição facilmente verificável, já que nem toda ovulação é seguida de oviposição, como nos casos de queda da gema na cavidade intraperitoneal. Aos primeiros sinais de postura de ovos em frangas jovens, frequentemente observam-se certas irregularidades como: a) Postura irregular: longos intervalos entre dois ovos ou mais de um ovo por dia (geralmente são anormais). b) Ovos com casca mole («soft shelled eggs»), sem a adequada classificação de cálcio. c) Ovos com duas gemas. Talvez estes fenômenos sejam provenientes de uma excessiva estimulação do ovário e disfunções do oviduto. Em suma, tudo isto pode ser consequência da falta de sincronização dos complexos mecanismos que regulam o processo. Uma vez regularizada a postura dos ovos, verifica-se que a galinha coloca um número de ovos sucessivos, seguido de uma pausa ou descanso na postura (choco) de um ou vários dias. O número de ovos que põe seguidos é chamado de sequência ou série de postura. Normalmente, essa “pausa” acontece após uma sequência de quatro a seis ovos postos. A sequência de postura de uma galinha pode ser regular, ou seja, que se repete sucessivamente o número de ovos postos de forma contínua, ou irregular quando essa sequência não obedece ao padrão normal, sendo ela derivada. O mesmo aconteceria com os dias de descanso. Como exemplo podemos encontrar: XXXX - XXXX - série e repouso regular XXX — XX — série e descanso irregular O espaço de tempo entre dois ovos de cada série é um caráter individual. Verificações de Menher (1969) indicam que o intervalo médio entre dois ovos sucessivos de uma série depende da duração desta. Em grandes séries diminui o tempo entre dois ovos sucessivos. À medida que a idade da galinha aumenta, as séries diminuem. Também observa-se que o tempo transcorrido entre dois ovos sucessivos é menor na metade da série e máximo no final da série. Uma galinha com uma série regular do tipo: XXXX - XXXX durante um período de tempo concreto permite-nos estabelecer que tem uma intensidade de postura de 80%. A intensidade de postura é definida como a porcentagem de ovos de um efetivo de galinhas num determinado período de tempo. A evolução da porcentagem de postura ao longo da vida produtiva do rebanho nos dá a curva de postura com três fases: crescimento, constância retilínea e decrescente. Define-se como período de postura o intervalo de tempo entre o início da postura da galinha (20-22 semanas) e o fim da mesma. A duração deste período pode ser variável (entre 12 e 20 meses), dependendo de vários fatores. Se observarmos a hora de oviposição dos diferentes ovos de uma série de galinhas, verificaríamos que a mesma se atrasa dia após dia. Este é um fato lógico, tendo em conta que a formação do ovo é superior a 24 horas. Também se comprova que em nenhum caso há oviposições nos períodos de escuridão quando se mantêm programas clássicos de iluminação (porém, é frequente comprovar que uma porcentagem de ovos podem ser postos durante o período de escuridão). O controle dos mecanismos que regulam os ritmos de ovulação e que definirão as séries é muito complexo, então tento fazer um pequeno resumo. Uma vez produzida a ovulação, a presença de um ovo em formação colocaria em funcionamento um sistema «Feedback» negativo da seguinte forma: gema → gera estímulos nervosos → hipotálamo → suprime RH → sem estimulação da hipófise → bloqueio de uma nova ovulação Esta ideia não é tão simples e se desconhecem em profundidade os mecanismos que a regulam. Observe uma figura que detalha melhor a formação do ovo e a passagem pelos respectivos compartimentos reprodutivos da galinha. 3. DISTRIBUIÇÃO DAS OVIPOSIÇÕES Com programas de iluminação clássicos (17L:7N) já assinalámos que a oviposição na galinha realiza-se no período de luz, e que diariamente o momento de tal oviposição irá sendo regredido (atrasado). No entanto, existe algumas horas onde a frequência máxima de postura é concentrada, que normalmente coincide com as 2-4 horas após a iluminação. Se, experimentalmente, fornecermos 24 horas de luz às galinhas, a postura ocorre durante todo o período, seja de forma aleatória ou através os estímulos a determinados pontos de referência de fatores externos periódicos: ruídos, entradas, fala de pessoas, etc., então podemos estabelecer que existe um certo sincronismo. Quando os programas de iluminação que se seguem nas granjas de galinhas poedeiras não se ajustam às 24 horas ou que seguem programas fraccionados, a resposta é diversificada e deixamos sua avaliação até não conhecer os distintos programas especiais de iluminação. 4. BASES DA ILUMINAÇÃO PARA GALINHAS POEDEIRAS O estabelecimento de programas de iluminação começa na fase de recria da franga e dada a influência que a luz exerce sobre o desenvolvimento da maturidade sexual, os programas que se instauram terão um impacto sobre o futuro produtivo das frangas. As considerações que devem ser levadas em conta no estabelecimento dos programas de iluminação são as seguintes: a) Os programas devem ser considerados como uma "globalidade" durante toda a vida da galinha. A instauração de programas de iluminação das galinhas poedeiras deve estar em conformidade com o programa seguido durante a fase de recria. b) Os aumentos no fotoperíodo durante a fase de recria implica um adiantamento no aparecimento da maturidade sexual da galinha. Este efeito deve ser considerado prejudicial, uma vez que esta postura precoce é acompanhada de tamanhos inferiores de ovos (cuja avaliação no mercado é reduzida). Este avanço no início da postura pode levar a uma falta de harmonia entre puberdade e o desenvolvimento corporal (aponta-se para uma maior incidência de prolapsos). Também indica-se que uma maturidade sexual precoce pode ser acompanhada de irregularidades na postura, pior qualidade da casca e até a um maior índice de mortalidade. c) A redução do fotoperíodo durante a recria permite atrasar o momento do início da postura e a produção de ovos é de uma maior dimensão inicial, o que compensa a ligeira diminuição do número de ovos na sua vida produtiva. d) Estabelecido um programa e posto em prática não pode alterar-se o mesmo. e) Nunca diminuir o fotoperíodo na fase de produção de ovos. f) As alterações do fotoperíodo (aumentos ou diminuições) não passam de um conceito de sensibilidade ao fato do que da magnitude dessas alterações. g) As alterações no fotoperíodo afetam inicialmente o consumo de ração das frangas, mas estas adaptam-se rapidamente aos seus níveis de ingestão e suprimento de exigências ao novo fotoperíodo. h) Ações qualitativas (limitação de um nutriente) ou quantitativas na ração fornecida podem permitir, em si mesmas, o atraso da maturidade sexual das frangas, embora não se apliquem normalmente para este fim. O controle quantitativo do gênero alimentício obedece a estratégias destinadas a obter o peso ideal para uma determinada idade de acordo com as normas fornecidas pelo fornecedor das diferentes estirpes comerciais. i) Na decisão final, ao se definir um programa deve-se ter presente: Tipo de alojamento: — Galpão com ambiente controlado. — Galpão convencionais com janelas. Neste último caso a época de nascimento das frangas será um fator relevante a ser levado em consideração. Como aspectos a destacar poderíamos citar: — Durante os primeiros dias de vida da galinha convém fornecer-lhe luz durante as 24 horas, a fim de facilitar a adaptação ao seu novo habitat (localização de comedouros e bebedouros, etc.). — Durante a fase de recria devem ser evitadas falhas que estabeleçam períodos fotocrescentes, já que alterarão a resposta produtiva posterior de tais frangas (especialmente se altera-se na última fase do período decrescente). 4.1 Programas práticos de iluminação na recria Ao longo do trabalho consideraremos sempre uma recria de 20 semanas, embora este dado possa ser variável de acordo com: a) Melhoria genética das estirpes atuais, as quais tendem a ser mais precoces. b) Tentativa de uma maior produção de ovos. No caso de reprodutoras semipesadas, a duração do período de recria pode ser de 21-22 semanas. 4.1.1 Galpões convencionais com janelas Neste tipo de galpão a iluminação externa incide no interior do navio e devem ser estabelecidos programas para combater o aumento de luz natural que se apresenta de janeiro a junho. 1. Programa de fotoperíodo decrescente Para realizar este tipo de programa pode-se seguir esta rotina: a) Verificar na tabela as horas de luz natural (x) que vão dispor-se quando as frangas cumprirem as 20 semanas de vida. b) Aumentar em 6 horas o valor observado na tabela (x + 6 horas) e fornecê-las aos 4 ou 5 dias de vida. c) Diminuir semanalmente a iluminação artificial, de tal forma que quando chegarem às 20 semanas de vida, a luz fornecida coincida com a luz solar. Exemplo prático: frangas nascidas em 8 de janeiro: a) Observa-se em tabela que cumprirão as 20 semanas em 28 de maio, tendo um comprimento do dia de 14 horas e 45 minutos. b) aumentamos em 6 horas e fornecemos 20 horas e 45 minutos a partir do quarto dia. c) Diminuímos semanalmente 360 minutos/20 semanas = 18 minutos e quando cumprirem as 20 semanas de vida, o fotoperíodo de que dispõem (14 horas e 45 minutos) coincide com o comprimento do dia. 2. Programa de fotoperíodo constante a) Para levar a cabo este tipo de programa deve-se verificar na tabela o comprimento do dia mais longo durante as 20 semanas que dura a recria. b) Proporcionar essas horas de luz a partir dos primeiros 3-4 dias durante as 20 semanas. O uso de programas de luz constante em galpões convencionais com janelas não é muito frequente, apesar da certa poupança energética que acarreta. 4.1.2 Galpões com ambiente controlado Neste tipo de galpão considera-se que a luz solar não exerce nenhuma ação no interior do mesmo. No entanto, é necessário atentar-se para que o conceito de galpão totalmente escuro seja levado até às suas últimas consequências, evitando que por sistemas de ventilação, etc., possam existir fugas de luz que alterariam os programas de iluminação propostos. Nos galpões com ambiente controlado seguem-se dois tipos de programas: 1. Programa decrescente-constante Durante as primeiras semanas vai-se diminuindo o fotoperíodo paulatinamente (1 ou 2 horas) até chegar a 8 ou 10 horas, que ficariam constantes até as 20 semanas de idade. Uma variável deste programa consiste em ir diminuindo lentamente as horas de luz e por volta da 12ª semana fazer uma diminuição brusca, deixando um fotoperíodo de 7-8 horas, que se perduraria até às 20 semanas de vida. 2. Programa constante Consiste em proporcionar de 7 a 10 horas de luz constante durante toda a fase de recria (com exceção dos primeiros dias, os quais se consideram de adaptação). Na hora de estabelecer a intensidade luminosa nesta fase de recria nos encontramos com intervalos muito amplos. Diferentes fornecedores de frangas recomendam de 20 a 40 lux durante os primeiros dias e ir diminuindo de tal forma que ao primeiro mês de vida estejam a 10-20 lux. A partir da 5 semana e até 3-4 meses vem sendo recomendada 5-10 lux para que possa, assim, aumentar a intensidade a partir dessa data para níveis de 10-30 lux. 4.2 Programas clássicos de iluminação na fase de postura Uma vez que as frangas tenham atingido as 20 semanas de idade, é preciso estabelecer os programas de iluminação para o período de postura. É necessário considerar, como se fazia no período de recria, o tipo de galpão em que vão residir durante todo o período de postura, bem como o programa seguido na fase de recria. Recordando novamente que ao longo do período de postura nunca se deve diminuir a duração do fotoperíodo, passamos a definir os programas de iluminação mais usuais em função do tipo de galpão: 4.2.1 Galpões convencionais com janelas 1. Programa crescente Consiste em ir incrementando o fotoperíodo a partir da 20ª semana. Podem existir várias opções: a) Aumento do fotoperíodo semanal de forma constante até atingir as 16-17 horas de iluminação. b) Aumento brusco do fotoperíodo às 21 e 23 semanas até atingir as 15,5 horas de iluminação, que ficariam fixas em toda a fase de postura. Esta é uma recomendação clássica de algumas casas comerciais. Em galpões convencionais com janelas, os programas de iluminação constante não costumam ser utilizados. 4.2.2 Galpões de ambiente controlado Neste tipo de galpão deve ser instaurado um programa de fotoperíodo crescente. Às 20 semanas e em função do fotoperíodo que seguiram na fase de recria o incremento pode ser brusco (caso de frangas recriadas com 8-10 horas de iluminação, pode-se passar a 12-13 horas) e seguir posteriormente com incrementos de 20-30 minutos até atingir as 16-17 horas de iluminação. A intensidade da luz durante a fase de produção de ovos é unânime em considerar os valores de 10-15 lux como os mais adequados, desde que exista homogeneidade na sua distribuição. Atualmente, as recomendações das diferentes casas comerciais de estirpes de poedeiras são mais elevadas: na ordem de 20 a 30 lux. Níveis muito superiores não têm efeito sobre a produção de ovos e podem desencadear problemas de arranque de penas quando a intensidade é excessiva. 4.3 Outros programas de iluminação Em instalações de ambiente controlado os custos energéticos representam um capítulo importante dentro dos custos de uma exploração avícola. A fim de economizar energia, uma série de programas de iluminação vem sendo ensaiada, especialmente para a fase de postura, que poderíamos englobar em dois grupos: a) intermitentes ou fracionados. b) Não ajustados a 24 horas. 5. HIGIENE E MANEJO DA INCUBAÇÃO A higiene de todo o processo de incubação deve servir para estabelecer uma primeira medida de ruptura da cadeia de infecção. Há uma série de doenças como Marek, pulorose, encefalomielite aviária, micoplasmose, etc., que estão associadas ao processo de incubação. A higiene de todo o processo deve corresponder inicialmente ao controle na exploração, de tal forma que os reprodutores devem estar, do ponto de vista sanitário, em perfeitas condições e estendê-las ao manejo mecânico do ovo, regulação de entradas e saídas e igualmente a todas as instalações. Antes de continuar com o manejo do ovo para a incubadora, convém recordar alguns aspectos do desenvolvimento embrionário que ocorre dentro da própria galinha: o ovo é fertilizado na parte distal do infundíbulo cerca de 15 minutos após a ovulação, e quando se encontra no istmo (às 5 horas) já se produzem as primeiras divisões celulares. Às 9 horas da ovulação, o blastodermo cresce até um estágio de 256 células e antes da oviposição a formação do tubo digestivo (gastrulação) já está completada no embrião (PARKHURST e MOUNTNEY, 2012). As divisões celulares continuam após a oviposição, desde que as temperaturas estejam acima de 26,8ºC (zero fisiológico). 6. MANEJO DO OVO PARA A INCUBAÇÃO A colheita dos ovos nas explorações de reprodução deve ser efetuada com uma certa periodicidade (três a cinco vezes por dia), a fim de evitar problemas de roturas e de ovos sujos. Não devemos esquecer que a colocação em um mesmo ninho de vários ovos originam modificações nas temperaturas dos mesmos (superiores a zero fisiológico), que poderiam estar associadas a um reinício das divisões celulares no embrião. Uma vez recolhidos, os ovos devem ser instalados num armazém que permita manter uma temperatura de 15-18ºC (nunca inferior a 10ºC) e uma umidade de 70-75% para evitar uma perda de peso excessiva. A temperatura de armazenagem dos ovos para incubação pode variar em função do tempo em que permanecerão armazenados, pelo que é conveniente programar temperaturas mais baixas para um período de armazenagem mais longo. Alguns autores estabelecem que os ovos que permanecerem 3 dias na incubadora podem ser programados com temperaturas de 15ºC, enquanto que os que se armazenam por mais de 9 dias a temperatura recomendada é de 12ºC. Os ovos com problemas de casca, tais como calcificações defeituosas, quebra ou fissura, ovos com formas anormais e ovos com casca lisa e bem formada, devem ser eliminados na própria instalação. A uniformidade do tamanho dos ovos é um aspecto a destacar e o intervalo de peso mais adequado é de 55-65 g. Os ovos de maior tamanho sempre apresentam níveis mais elevados de problemas de casca e o período de incubação do mesmo é superior (até mais de 12 horas), por isso não é aconselhável introduzi-los na incubadora, assim como os ovos pequenos e os de gema dupla. Os trabalhos de Ron Jones (1978) evidenciam a importância do tamanho dos ovos ao considerar que as perdas de peso por evaporação são mais rápidas nos ovos de menor peso, e inclusive assinala que os ovos de casca branca são mais porosos, sugerindo sua incubação separada em função do tamanho. A desinfecção dos ovos (fumigação) com uma solução de formalina é prática corrente (45 ml de uma solução de formalina a 40% e 30 g de permanganato de potássio por metro cúbico de espaço ou 10 g/m3 de paraformaldeído aquecido num fumigador eléctrico), segundo as recomendações do Guia Cobb (1991). Um excesso de gás formaldeído pode ser neutralizado através da introdução de amoníaco líquido concentrado, 20 ml/m3. Pode também utilizar-se uma solução de cloro (500 ppm) a 43ºC durante 2 minutos, bem como produtos com amônio quaternário. Quando o tempo de armazenamento dos ovos para incubação é inferior a uma semana, a posição dos ovos para incubação dificilmente influencia a incubabilidade posterior. No entanto, quando o tempo de armazenamento excede 2 semanas, a incubabilidade dos ovos melhora se eles são virados diariamente. Romanoff, em 1960, estabeleceu os valores de incubabilidade dos ovos em função do tempo de armazenagem, verificando-se que, à medida que o período de tempo entre a postura dos ovos e a colocação na incubadora aumenta, os resultados de incubação diminuem, como pode ser observado na tabela 1: Tabela 1: Valores de incubalidade dos ovos em função do tempo de armazenamento -/- Período de armazenamento (dias) Incubalidade (%) 14 80 21 70 28 30 32 < 10 Fonte: ROMANOFF, 1960. Para evitar mudanças bruscas de temperatura (da sala de armazenamento da incubadora), que podem causar transpirações nos ovos, recomenda-se um aumento gradual da temperatura (12 a 18 horas antes de serem introduzidos na incubadora). Os ovos fecundados que são submetidos a longos percursos até chegarem ao incubatório devem ser mantidos no armazém durante 1 ou 2 dias antes de serem colocados nas incubadoras, melhorando assim os resultados de incubação. Através dos poros há uma troca de gases durante o armazenamento. O dióxido de carbono difunde-se no exterior e a sua concentração no ovo diminui rapidamente nas primeiras 12 horas após a postura. Se juntarmos as perdas de vapor de água, descobriremos que o armazenamento tem um impacto negativo nos resultados finais do processo de incubação. Experimentalmente, o tempo de armazenagem dos ovos fertilizados pode ser prolongado através da embalagem hermética em atmosfera de nitrogênio ou de anidrido carbônico, incluindo o revestimento de óleos. Alguns incubatórios testam o revestimento dos ovos com materiais plásticos para evitar tais perdas, todavia não é muito indicado, uma vez que lacra a passagem do oxigênio exterior para o embrião interior. No caso de nos depararmos com ovos sujos, e apesar dos condicionantes sanitários que vão associados, pode-se recorrer à sua limpeza e lavá-lo com água e algum desinfetante. Se a limpeza for excessiva, deve considerar-se a alteração que pode ter sofrido a cutícula da casca, pelo que não se recomenda a raspagem manual ou mecânica da mesma. De acordo com o estabelecido pelo Guia Cobb (1991), os efeitos mais importantes do armazenamento dos ovos são: a) O armazenamento prolonga o tempo de incubação e, em média, um dia de armazenamento prolonga o tempo de incubação por 1 hora. b) A armazenagem reduz a incubabilidade dos ovos. Este efeito, descrito acima, é quantificado de forma que a partir do quinto dia de armazenamento, cada dia de armazenamento adicional representa perdas de 0,5 a 1% na incubabilidade. c) O peso dos ovos pode diminuir quando o armazenamento dos ovos é de 14 dias ou mais. 6.1 Carregamento dos ovos na incubadora Embora ainda existam incubatórios que introduzem os ovos diretamente do armazém para a incubadora, recomenda-se um pré-aquecimento suave dos ovos até atingir temperaturas próximas dos 23ºC em 6 horas, independentemente da temperatura de partida. Duas horas antes de serem colocados na incubadora, a temperatura considerada ideal é de 28ºC. 6.2 Tempo de incubação Como já foi explicado acima, o tempo necessário para a incubação dos ovos de galinha deriva de uma função de vários fatores, de modo que os 21 dias e 4 horas (508 horas) que são definidos como tempo de referência podem ser ligeiramente modificados. 7. FATORES ENVOLVIDOS NO PROCESSO DE INCUBAÇÃO Os resultados obtidos por diferentes incubatórios variam consideravelmente de um para outros. As causas destas variações podem estar relacionadas ao manejo dos reprodutores, fertilidade dos ovos e na própria incubação. Cada empresa que dispõe de incubatórios desenvolve seu próprio método de operação no processo de incubação e seus padrões de qualidade exigidos nos pintainhos são geralmente variáveis. Vários fatores que desempenham um papel importante no processo de incubação já foram descritos ao comentar o manejo do ovo para incubação: uniformidade de pesos, qualidade de casca, armazenamento, etc., por isso é necessário assinalar os parâmetros a controlar na incubadora e no nascedouro. Em suma, podem ser estabelecidas as seguintes condições: Parâmetros Incubadora Nascedouro Temperatura (ºC) 37,5 – 37,7 37,1 Umidade relativa (%) 55 – 60 < 75 Ventilação (m3/minuto/1000 ovos) 0,14 0,23 – 0,28 Nível de CO2 0,3 – 0,4 0,5 – 0,6 Nível de O2 21 21 Número de viagens/dia < 4 – 6 — Tabela 2: Condições aceitas para a incubação dos ovos e nascimento dos pintainhos. 7.1 Manejo com os pintainhos de 1 dia – do incubatório para os galpões Numa sala convenientemente climatizada, 22-25 ºC e 70-80% de umidade, procedem-se as seguintes operações: a) Triagem dos pintainhos - Eliminando os que apresentem anomalias ou tenham pouca viabilidade/vitalidade, problemas nos membros, bico, olhos, se apresentam-se fracos, etc. b) Sexagem dos pintainhos - A separação dos sexos tem um interesse relativo no caso dos criadouros e criadores, mas é uma operação obrigatória quando o que interessa é produzir galinhas de postura ou reprodutores. Para o processo de separação por sexo podem ser utilizados dois sistemas: — Exame da cloaca, seguindo o método de Masui e Hashimoto, no qual é preciso evaginar a cloaca, mediante pressão, e através de uma luz direta observar as protuberâncias que correspondem a cada sexo. A aplicação desta técnica requer um elevado grau de especialização e os erros daí resultantes são insignificantes. Como regra a seguir, quando se aplica esta técnica, é que sua realização deve estar o mais próximo possível ao momento do nascimento. — Mediante o exame de caracteres ligados ao sexo, os caracteres usados para a determinação do sexo nas aves são vários: cores da plumagem (prateados frente a dourados: lisos frente a barrados), mas o mais empregado na atualidade faz referência à comparação dos comprimentos das penas primárias frente às de cobertura (quando as penas primárias são mais longas que as de cobertura, é uma fêmea). Esta técnica também é realizada dentro de poucas horas de nascimento. c) Vacinação dos pintainhos - Durante as primeiras horas de vida, as aves são normalmente alimentadas por via oral (spray) ou por injeção (com vacina manual ou automática). Vacina-se, também, contra várias doenças no primeiro dia de vida dos pintainhos, como a Marek, Gumboro e Bouba Aviária. d) Embalagem - Desenvolvidas as anteriores operações e já dentro da zona de expedição, realiza-se a última triagem e classificação (no caso dos reprodutores e das frangas, o processo pode ter conotações comerciais e podem apresentar-se no mercado várias classes em função da qualidade do produto, que, neste caso, é normalmente o peso), para posteriormente, contar e introduzi-las nas embalagens correspondentes, que podem ser retornáveis ou não. Nas embalagens normalmente introduz-se uma centena de aves (2 por 100) sem custo como regra de compensação às baixas iniciais. Em todas estas operações, o controle da temperatura e da humidade deve ser rigoroso, tal como descrito acima. e) Transporte - Os veículos de transporte devem estar equipados com sistemas auxiliares de calor e arrefecimento que permitam garantir condições estabelecidas, independentemente da situação atmosférica externa. A temperatura do ar fornecido no transporte deve ser de 28ºC quando as frangas estão em embalagens de plástico, enquanto que se forem de papelão a temperatura requerida pode ser bastante inferior (20ºC), segundo o Guia Cobb (1991). A distribuição da carga no transporte (para que a distribuição térmica seja homogénea), o controle contínuo das condições ambientais e os cuidados na condução e na descarga da mercadoria são os últimos aspectos importantes a assinalar. 8. RESUMO E PRIMEIRAS CONCLUSÕES No presente trabalho, tentou-se expor de forma sucinta os aspectos relacionados com a postura dos ovos: irregularidades no início da postura, sequência de postura, intensidade de postura, curva de postura, período de postura e distribuição de oviposições. O controle da iluminação, com seus diferentes programas, tanto em recria como em postura, é objeto de especial desenvolvimento. Uma terceira parte trata da questão da incubação artificial, começando pela higiene e manejo da incubação. É feita especial referência ao manejo dos ovos a serem incubados, e se resume os fatores que controlam o processo de incubação. -/- Emanuel Isaque Cordeiro da Silva – Departamento de Zootecnia da UFRPE. Recife, 2020. -/- REFERÊNCIAS BIBLIOGRÁFICAS -/- ABAD, M. et al. Reproducción e incubación en avicultura. Real Escuela de Avicultura. España, 2003. CAMPOS, Egladson João. Avicultura: razões, fatos e divergências. São Paulo: FEP-MVZ, 2000. COBB. Manual de manejo de frangos Cobb 500: guia de manejo. São Paulo: Cobb-Vantress Brasil, 2001 CONTO, L. A. Avicultura de postura. Avicultura Industrial, v. 1121, n. 95, 2004. ENSMINGER, M. Eugene. Zootecnia general. Buenos Aires: Centro Regional de Ayuda Técnica, 1973. ESTEBAN, José María Lasheras; ROCHA, Luís Oliveira. Manual de avicultura. Lisboa: Litexa, 1951. LANA, Geraldo Roberto Quintão. Avicultura. Recife: Livraria e Editora Rural Ltda, 2000. LOPES, Jackeline Cristina Ost. Caderno Didático de Avicultura (UFRN/UFPI). Cadernos Pronatec Goiás, v. 1, n. 1, p. 74-173, 2018. MENHER, A. La gallina. Zaragoza: Acribia, 1969. MACARI, Marcos. Manejo da incubação. Campinas: Facta, 2003. MALAQUIAS, Jessica Dantas. Manejo de galinhas poedeiras. 2019. Trabalho de Conclusão de Curso. Graduação em Zootecnia, UFRPE. 42f. Brasil. MALAVAZZI, Gilberto. Avicultura: manual prático. São Paulo: NBL Editora, 1983. PARKHURST, Carmen; MOUNTNEY, George J. Poultry meat and egg production. Berlim: Springer Science & Business Media, 2012. ROMANOFF, A.L. The Avian Embryo. New York: The Macmillan Co., 1960. RON JONES. A closer look at incubation. Poultry International. Vol 17. n° 2. ROSE, S. P. et al. Principles of poultry science. Nova Iorque: CAB International, 1997. WHITE, Fred N.; KINNEY, James L. Avian incubation. Science, v. 186, n. 4159, p. 107-115, 1974. (shrink)

L. Gazziero, « Machiavelli », in M. Lewis and D. Rose (ed.), The Bloomsbury Italian Philosophy Reader, London, Bloomsbury, 2022, p. 51-58 Confusion verging on chaos aptly describes Italian politics between any two points in time. That being said, the amount of outright violence, political backstabbing and social upheaval Machiavelli had to put up with - as a successful bureaucrat and diplomat first (1498-1512), and later as a disgraced citizen (1512-27) is, with few if any exceptions, virtually unmatched in (...) the history of Italian philosophy. At any rate, it is conspicuous enough to put him in a league of his own (among political thinkers). All the more so since, in Machiavelli's own words, his claim to originality rested on a return to the things themselves and the 'real truth' they convey through experience, as opposed to the traditional proclivity towards speculation regarding 'imaginary things', most notably by portraying fanciful characters and devising political regimes that can only exist on paper. Indeed, philosophers had long been lecturing- either in flawless syllogistic fashion or in vivid rhetorical style - both rulers and subjects on how they should behave and interact. However, they had taken little notice of how they actually go about their business. Alternatively, what does unbiased, direct observation of the present and extensive, informed reading of the past teach us about the ways of the world? (shrink)

L. Gazziero, « Dante », in M. Lewis and D. Rose (ed.), The Bloomsbury Italian Philosophy Reader, London, Bloomsbury, 2022, p. 29-42: Even if Dante's work involves a fair amount of autobiographical material and occasionally fashions itself as a record of personal experiences, his writings reveal surprisingly few facts about his life. With one exception though, etc.

Some philosophers have argued that the paucity of evidence for theism — along with basic assumptions about God's nature — is ipso facto evidence for atheism. The resulting argument has come to be known as the argument from divine hiddenness. Theists have challenged both the major and minor premises of the argument by offering defences. However, all of the major, contemporary defences are failures. What unites these failures is instructive: each is implausible given other commitments shared by everyone in the (...) debate or by theists in particular. Only challenges which are plausible given both common sense and other theistic commitments will undermine the argument from divine hiddenness. Given that such defences universally fail, the best hope for a successful challenge to the argument comes from more general sceptical responses. This sort of response is briefly sketched and defended against four independent objections. (shrink)

This paper seeks to rehabilitate St. Augustine’s widely dismissed response to the alleged incompatibility of divine foreknowledge and free will. This requires taking a fresh look at his analysis in On Free Choice of the Will, and arguing its relevance to the current debate. Along the way, mistaken interpretations of Augustine are rebutted, his real solution is developed and defended, a reason for his not anticipating Boethius’s a temporalist solution is suggested, a favorable comparison with Ockham is made, rival solutions (...) are rejected, and the aporetic nature of the problem is explained. (shrink)

Pekakak adalah salah satu tokoh yang memiliki pengetahuan mendalam dan perencanaan yang cermat. Saat fajar menyingsing, ia terlihat bertengger di atas pohon. Dengan kemampuan sempurna untuk mengontrol kecepatan penerbangan miliknya, seperti kapan harus memperlambat atau mempercepat, dia dapat dengan mudah menghitung cara optimal untuk menangkap ikan.

According to the most important objection to the existence of moral beauty, true judgements of moral beauty are not possible as moral judgements require being motivated to act in line with the moral judgement made, and judgements of beauty require not being motivated to act in any way. Here, I clarify the argument underlying the objection, and show that it does not show that moral beauty does not exist. I present two responses: namely, that the beauty of moral beauty does (...) not lie in the moral goodness per se (the “adjacent properties” response); and that only a dispositional motivation to act is required for the moral judgements that are typically made as part of judgements of moral beauty, whereas aesthetic judgements only rule out state motivations to act (the “equivocation of motivation required” response). In addressing the objection, I show how moral beauty is consistent with disinterestedness, and so should be accepted more widely; and also clarify where the beauty in moral beauty resides, and how the moral-aesthetic distinction should be drawn. (shrink)

The Twin Earth thought experiment invites us to consider a liquid that has all of the superficial properties associated with water (clear, potable, etc.) but has entirely different deeper causal properties (composed of “XYZ” rather than of H2O). Although this thought experiment was originally introduced to illuminate questions in the theory of reference, it has also played a crucial role in empirically informed debates within the philosophy of psychology about people’s ordinary natural kind concepts. Those debates have sought to accommodate (...) an apparent fact about ordinary people’s judgments: Intuitively, the Twin Earth liquid is not water. We present results from four experiments showing that people do not, in fact, have this intuition. Instead, people tend to have the intuition that there is a sense in which the liquid is not water but also a sense in which it is water. We explore the implications of this finding for debates about theories of natural kind concepts, arguing that it supports views positing two distinct criteria for membership in natural kind categories – one based on deeper causal properties, the other based on superficial, observable properties. (shrink)

According to the cognitive model of psychopathology, maladaptive beliefs about oneself, others, and the world are the main factors contributing to the development and persistence of various forms of mental suffering. Therefore, the key therapeutic process of Cognitive Behavioral Therapy (CBT)—a therapeutic approach rooted in the cognitive model—is cognitive restructuring, i.e., a process of revision of such maladaptive beliefs. In this paper, I examine the philosophical assumptions underlying CBT and offer theoretical reasons to think that the effectiveness of belief revision (...) in psychotherapy is very limited. This is the case, I argue, because the cognitive model wrongly assumes that our body of beliefs is unified, while it is in fact fragmented. (shrink)

Phineas Gage’s story is typically offered as a paradigm example supporting the view that part of what matters for personal identity is a certain magnitude of similarity between earlier and later individuals. Yet, reconsidering a slight variant of Phineas Gage’s story indicates that it is not just magnitude of similarity, but also the direction of change that affects personal identity judgments; in some cases, changes for the worse are more seen as identity-severing than changes for the better of comparable magnitude. (...) Ironically, thinking carefully about Phineas Gage’s story tells against the thesis it is typically taken to support. (shrink)

It is commonly argued that a serious right to life is grounded only in actual, relatively advanced psychological capacities a being has acquired. The moral permissibility of abortion is frequently argued for on these grounds. Increasingly it is being argued that such accounts also entail the permissibility of infanticide, with several proponents of these theories accepting this consequence. We show, however, that these accounts imply the permissibility of even more unpalatable acts than infanticide performed on infants: organ harvesting, live experimentation, (...) sexual interference, and discriminatory killing. The stronger intuitions against the permissibility of these ‘pre-personal acts’ allow us to re-establish a comprehensive and persuasive reductio against psychological accounts of persons. (shrink)

A classic debate concerns whether reasonableness should be understood statistically (e.g., reasonableness is what is common) or prescriptively (e.g., reasonableness is what is good). This Article elaborates and defends a third possibility. Reasonableness is a partly statistical and partly prescriptive “hybrid,” reflecting both statistical and prescriptive considerations. Experiments reveal that people apply reasonableness as a hybrid concept, and the Article argues that a hybrid account offers the best general theory of reasonableness. -/- First, the Article investigates how ordinary people judge (...) what is reasonable. Reasonableness sits at the core of countless legal standards, yet little work has investigated how ordinary people (i.e., potential jurors) actually make reasonableness judgments. Experiments reveal that judgments of reasonableness are systematically intermediate between judgments of the relevant average and ideal across numerous legal domains. For example, participants’ mean judgment of the legally reasonable number of weeks’ delay before a criminal trial (ten weeks) falls between the judged average (seventeen weeks) and ideal (seven weeks). So too for the reasonable num- ber of days to accept a contract offer, the reasonable rate of attorneys’ fees, the reasonable loan interest rate, and the reasonable annual number of loud events on a football field in a residential neighborhood. Judgment of reasonableness is better predicted by both statistical and prescriptive factors than by either factor alone. -/- This Article uses this experimental discovery to develop a normative view of reasonableness. It elaborates an account of reasonableness as a hybrid standard, arguing that this view offers the best general theory of reasonableness, one that applies correctly across multiple legal domains. Moreover, this hybrid feature is the historical essence of legal reasonableness: the original use of the “reasonable person” and the “man on the Clapham omnibus” aimed to reflect both statistical and prescriptive considerations. Empirically, reasonableness is a hybrid judgment. And normatively, reasonableness should be applied as a hybrid standard. (shrink)

Completing the systematic henadological interpretation of Proclus' Platonic Theology begun in "The Intelligible Gods in the Platonic Theology of Proclus" (Méthexis 21, 2008, pp. 131-143) and "The Second Intelligible Triad and the Intelligible-Intellective Gods" (Methexis 23, 2010, pp. 137-157), the present article concerns the conditions of the emergence of fully mediated, diacritical multiplicity out of the polycentric henadic manifold. The product of the activity of the intellective Gods (that is, the product of the intellective activity of Gods as such), in (...) resolving the contradiction between existential uniqueness and universalizable potencies in the divine natures, also grounds the human exercise of phi- losophical cognition in the founding self-analysis of divine individuals. (shrink)

Abstract -/- “The Obvious Invisibility of the Relationship Between Technology and Social Values” -/- We all too often assume that technology is the product of objective scientific research. And, we assume that technology’s moral value lies in only the moral character of its user. Yet, in order to objectify technology in a manner that removes it from a moral realm, we rely on the assumption that technology is value neutral, i.e., it is independent of all contexts other than the context (...) in which it is used morally or immorally by someone. However, there is a power to technology. At the very least, technology should be seen as reflecting the values that it rises from: a developmental context. Consequently, we can make the invisible moral realm visible as we investigate the relationship between culture and technology. Pragmatically, we can trace how cultural values inform what counts as a scientific question. When we look at the 1980s epidemiological model for AIDS we see how the presuppositions within a culture frame the type of question asked, i.e. What population do we see AIDS occurring in? This question initially leads scientific research away from actual individual behaviors until a different question is asked that leads the question towards behavioral epidemiological models rather than population models. Secondly, we can make visible the circumstance that depicts that what constitutes a scientific problem has a direct relationship to the types of technologies that are developed. We can more clearly see this circular relationship between culture and technology by looking at clinical research and practice regarding heart disease. Men who were dying of diagnosed heart disease were showing symptoms of problems in large arteries of the heart. Women were also dying of heart disease, but since their large arteries were not overwhelmingly compromised they were not being properly diagnosed until recently. Different technologies and protocol were needed to “see” different symptoms in the smaller vessels of women. Thirdly, I show how the types of technology developed, in turn, can create new values or enhance preexisting values within a culture. DNA research can be used to investigate long, unanswered questions about qualitative dimensions of life in quantitative manners. Yet, long held unanswered questions about a biological basis of race or intelligence are themselves rarely challenged as uninteresting or misguided even when they are tied to prejudicial qualitative assumptions if the chance of a “scientific” answer is possible. When existing technologies or modifications of existing technologies can be used they seem to direct human reactions and behaviors in predictable ways. The technologies themselves may be said to direct culture in ethically valenced manners. (shrink)

This paper is an attempt to meta-subjective revision of contemporary “ecological” issues concerning glorification of science (called by the Author „science-centrism) present in paradigm and practice of nature protection. Assuming that science can be often treated as conditio sine qua non of effective pro-ecological activity, and that such approach isn’t in fact appropriate, the Author led diverse arguments supporting the thesis that the presence of science isn’t necessary in theoretical and applied protection of nature. Within the discourse he tried to (...) defend the possibilities of the wide spectrum of environmental-friendly approaches and appreciate alterscientific paradigms and tools of nature protection. The Author attempted to emphasize that science-based tools of nature protection aren’t of absolute type. He tried to present a relativized scientific approach (possibility against necessity) as an opportunity to create wiser and more rational vision of nature protection, not based on idolatry of science. (shrink)

It is important to note that certain mental health disorders are classified as rare conditions, and they have their own ‘cultural concepts of distress’ as defined in the Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition (DSM 5). Cultural concepts of distress are a recent attempt to understand psychological distress influenced by culture, separate from biomedical diagnoses that require equal attention and support for individuals and their families, both physically and emotionally. [1].

Animal-derived constituents are frequently used in anaesthesia and surgery, and patients are seldom informed of this. This is problematic for a growing minority of patients who may have religious or secular concerns about their use in their care. It is not currently common practice to inform patients about the use of animal-derived constituents, yet what little empirical data does exist indicates that many patients want the opportunity to give their informed consent. First, we review the nature and scale of the (...) problem by looking at the groups who may have concerns about the use of animal-derived constituents in their care. We then summarise some of the products used in anaesthesia and surgery that can contain such constituents, such as anaesthetic drugs, surgical implants and dressings. Finally, we explore the problem of animal-derived constituents and consent using Beauchamp and Childress’ four principles approach, examining issues of autonomy, beneficence, nonmaleficence and justice. Disclosing the use of animal-derived constituents in anaesthesia and surgery is warranted under Beauchamp and Childress’ four principles approach to the problem. Although there exist systemic and practical challenges to implementing this in practice, the ethical case for doing so is strong. The Montgomery ruling presents additional legal reason for disclosure because it entails that patients must be made aware of risks associated with their treatment that they attach significance to. (shrink)

One popular conception of natural theology holds that certain purely rational arguments are insulated from empirical inquiry and independently establish conclusions that provide evidence, justification, or proof of God’s existence. Yet, some raise suspicions that philosophers and theologians’ personal religious beliefs inappropriately affect these kinds of arguments. I present an experimental test of whether philosophers and theologians’ argument analysis is influenced by religious commitments. The empirical findings suggest religious belief affects philosophical analysis and offer a challenge to theists and atheists, (...) alike: reevaluate the scope of natural theology’s conclusions or acknowledge and begin to address the influence of religious belief. (shrink)

Recent scholarship has considered the requirements of justice and economic regimes in the work of John Rawls. This work has not delved into the requirements of justice and liberal socialism as deeply as the work that has been done on property-owning democracy. A thorough treatment of liberal socialism and the requirements of justice is needed. This paper seeks to begin to fill this gap. In particular, it needs to be shown if liberal socialism fully answers the requirements of justice better (...) than property-owning democracy. It will be argued that liberal socialism does significantly better in realizing the two principles. This paper has the following structure, first, an overview of Rawls' position on economic regimes, capitalism, and the requirements of justice will be presented. In particular, how the two principles work in tandem to meet the demands of distributive justice will be considered. Second, a review of property-owning democracy will be conducted. Finally, liberal socialism will be examined and discussed as an economic regime that answers the requirements of justice more fully. (shrink)

Conversational Artificial Intelligence (CAI) systems (also known as AI “chatbots”) are among the most promising examples of the use of technology in mental health care. With already millions of users worldwide, CAI is likely to change the landscape of psychological help. Most researchers agree that existing CAIs are not “digital therapists” and using them is not a substitute for psychotherapy delivered by a human. But if they are not therapists, what are they, and what role can they play in mental (...) health care? To answer these questions, we appeal to two well-established and widely discussed concepts: cognitive and affective artifacts. Cognitive artifacts are artificial devices contributing functionally to the performance of a cognitive task. Affective artifacts are objects which have the capacity to alter subjects’ affective state. We argue that therapeutic CAIs are a kind of cognitive-affective artifacts which contribute to positive therapeutic change by (i) simulating a (quasi-)therapeutic interaction, (ii) supporting the performance of cognitive tasks, and (iii) altering the affective condition of their users. This sheds new light on why virtually all existing mental health CAIs implement principles and techniques of Cognitive Behavioral Therapy — a therapeutic orientation according to which affective change and, ultimately, positive therapeutic change is mediated by cognitive change. Simultaneously, it allows us to conceptualize better the potential and limitations of applying these technologies in therapy. (shrink)

This article examines two questions about scientists’ search for knowledge. First, which search strategies generate discoveries effectively? Second, is it advantageous to diversify search strategies? We argue pace Weisberg and Muldoon, “Epistemic Landscapes and the Division of Cognitive Labor”, that, on the first question, a search strategy that deliberately seeks novel research approaches need not be optimal. On the second question, we argue they have not shown epistemic reasons exist for the division of cognitive labor, identifying the errors that led (...) to their conclusions. Furthermore, we generalize the epistemic landscape model, showing that one should be skeptical about the benefits of social learning in epistemically complex environments. (shrink)

We propose a qualitatively new kind of governance for the emerging need to efficiently guide the densely interconnected, ever more complex world development, which is based on explicit and openly presented problem solutions and their interactive implementation practice within the versatile, but unified professional analysis of complex real-world dynamics, involving both the powerful central units and the attached creative worldwide network of professional representatives. We provide fundamental and rigorous scientific arguments in favour of introduction of just that kind of governance (...) at the modern development stage, after the complexity threshold in the real world dynamics evolution (sometimes intuitively designated as "globalisation"), where the traditional spontaneous-empirical kind of development and related administrative governance lose dramatically and inevitably their efficiency and the necessity of explicit consistent understanding and guidance of complex real-world dynamics becomes evident. (shrink)

The development of artificial womb technology is proceeding rapidly and will present important ethical and theological challenges for Christians. While there has been extensive secular discourse on artificial wombs in recent years, there has been little Christian engagement with this topic. There are broadly two primary uses of artificial womb technology—ectogestation as a form of enhanced neonatal care, where some of the gestation period takes place in an artificial womb, and ectogenesis, where the entire gestation period is within an artificial (...) womb. Ectogestation for the latter weeks or months of pregnancy could be possible within a decade or so, while ectogenesis for humans is far more speculative. Ectogestation is likely to significantly decrease maternal and neonatal morbidity and mortality, and so there is a strong case for supporting its development. Ectogenesis, however, may bring a number of challenges, including the commodification of children, and the pathologizing of pregnancy and childbirth. Its long-term effects on those who are created through this process are also unknown. In the event that it becomes ubiquitous, we may also find the central theological significance of pregnancy and birth diminished. The dilemma for Christians is that the development of ectogestation seems likely to normalise the use of artificial gestation, and, in time, pave the way for ectogenesis. (shrink)